Ballet – A Look At The Life Of Sir Frederick Ashton
Thursday, February 2nd, 2012
Born on the 17th of September 1904, Sir Frederick Ashton was the founding choreographer of The Royal Ballet where he became resident in the 1930’s when it was known as Sadler’s Wells Ballet. Widely accepted to be one of the most influential forces in 20th Century choreography, Ashton was also a talented dancer. His career lasted for 6 decades from 1926 to 1982 and he left behind him an enormous body of work that is still widely acclaimed to this day.
Sir Frederick Ashton’s first full length, three act work for The Royal Ballet was his version of Cinderella, with music by Prokofiev, in 1948. Ashton first wanted to choreograph Cinderella in the late 1930’s but the outbreak of war stopped his vision. His version of Cinderella is described as a traditional ‘Pepita’ ballet because it was inspired by the style of the legendary choreographer Marius Pepita of Russia. Sir Frederick wanted his version to have an almost dreamlike quality and the theme of dreams runs heavily through his interpretation of the ballet.
In 1952 Sir Frederick followed on from the success of Cinderella with his interpretation of Sylvia – a ballet that had not been performed in recent years and a ballet that had never been well received. Ashton completely reworked the choreography to make the plot more accessible to audiences. It is said that his desire to choreograph Sylvia came from a dream he had about the ballets musical composer Leo Delibes. The composer allegedly asked Aston to revitalize the under-appreciated ballet Sylvia in a dream.
Another success for Aston and another vehicle for the legendary ballerina Margot Fonteyn was Sir Frederick’s Ondine, which he choreographed in 1958. It is said that Ashton found the piece difficult as he was uninspired by the ballets’ music. However Ondine was lauded as another success for Ashton with its recurring watery theme running through the entire piece. This was the last three-act ballet Ashton choreographed for The Royal Ballet.
Perhaps one of his greatest works is La fille mal gardée abercrombie sale , which premiered in London in January 1960 and has been hailed as the definitive version of the ballet. Ashton reverted the ballet’s music back to the 1928 score by Ferdinand Hérold for his production and found his inspiration within the music. Ashton’s 1960 version of La fille mal gardée has been staged by many ballet companies throughout the world and has overtaken even Pepita’s version as the ‘traditional’ version to perform.
Ashton was the Director of the Royal Ballet for 7 years, leaving in 1970. He continued to choreograph for the company up until a few years before his death and worked away from ballet also providing choreography for musicals and films. He died in August 1988 at his home in Eye, Suffolk.
If you liked this, try : Frederick Ashton